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Unarchive 4: Teaching and Learning in an Archive Gone Digital
by
Cristina Vatulescu
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July 8, 2020
July 24, 2020
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July 8, 2020 Has the archive lost its taste and smell during the Covid-19 pandemic?...
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Unarchive 3: The Undocument
by
Christian Rossipal
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June 22, 2020
July 24, 2020
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June 22, 2020 In her study of the Afro-Trinidadian writer and revolutionary C. L. R....
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Unarchive 2: Apprehending the Acoustic
by
Sam Carter
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June 3, 2020
July 24, 2020
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June 3, 2020 In late May, the New York Times published an article on the...
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Four Vignettes on Sleep
by
Mariaenrica Giannuzzi
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May 11, 2020
July 24, 2020
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May 11, 2020 “I can sleep!” I thought on March 6, as the first event...
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Unarchive 1: Closure and the Memory of the State
by
Marc Kohlbry
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May 5, 2020
July 24, 2020
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May 4, 2020 I arrived in Paris on February 1, 2020, roughly six weeks before...
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Life and the Interim
by
Yasmeen Arif
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April 28, 2020
July 24, 2020
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April 28, 2020 Over a span of just a few weeks, the force with which...
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Practicing Vulnerability: Reading Robin Mitchell’s
Vénus Noire
and Barbara Christian’s “The Race for Theory” Together
by
Nathan Dize
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April 21, 2020
July 24, 2020
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April 21, 2020 In early February, after I finished reading Robin Mitchell’s Vénus Noire: Black...
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The Metaphysics of Patient Zero
by
Felice Cimatti
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March 18, 2020
July 24, 2020
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March 18, 2020 Translated by Karen Pinkus, Editor of Diacritics Translator’s note: There has been...
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Watch This Space
by
Karen Pinkus
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August 10, 2019
July 24, 2020
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August 5, 2019 This space will serve as a forum for readers and writers to...
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Fevered Reading: Archives, Books, and Journals
by
Nick Huelster
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July 31, 2019
July 24, 2020
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August 20, 2019 My favorite job was as an illicit-sounding “book-dealer” after college in...
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All Scholarship Is Quit Lit
by
Max Larson
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July 10, 2019
April 21, 2020
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September 5, 2019 Any graduate student seeking insight into the experience of scholarly publishing can...
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Unfamiliar Ceiling/THE BEAST
by
Lucas Ferraço Nassif
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August 7, 2018
July 11, 2019
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Unfamiliar Ceiling/THE BEAST was made in February 2018, after a tough 2017. It was summer...
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