CONTENTS
- Front Matter
- Who’s Framing Virginia Woolf?
Rachel Bowlby
Reviewing Jean Guiguet, ed., Virginia Woolf et le groupe de Bloomsbury; C. Ruth Miller, Virginia Woolf: The Frames of Art and Life - Guerrilla in Petticoats or Sans-Culotte? Virginia Woolf and the Future of Feminist Criticism
Bette London
Reviewing Jane Marcus, Art and Anger: Reading like a Woman, New Feminist Essays on Virginia Woolf; Virginia Woolf: A Feminist Slant; Virginia Woolf and Bloomsbury: A Centenary Celebration; and Virginia Woolf and the Languages of Patriarchy - Born from the Head: Reading Woolf via Kristeva
Miglena Nikolchina
- Kristeva’s Imaginary Father and the Crisis in the Paternal Function
Kelly Oliver
Reviewing Julia Kristeva, Black Sun: Depression and Melancholia; In the Beginning Was Love: Psychoanalysis and Faith; Powers of Horror; Strangers to Ourselves; and Tales of Love - Mute Words Mutter
Photo essay by Laurie Sieverts Snyder - “She Was Too Fond of Her Mistaken Bargain”: The Scandalous Relations of Gender and Sexuality in Feminist Theory
Lisa Moore
Reviewing Felicity A. Nussbaum, The Autobiographical Subject: Gender and Ideology in Eighteenth-Century England - Prostitution’s Artful Guise
Amanda Anderson
Reviewing Charles Bernheimer, Figures of Ill Repute: Representing Prostitution in Nineteenth-Century France - Taking the “Woman” out of Women’s Autobiography: The Perils and Potentials of Theorizing Female Subjectivities
Jeanne Costello
Reviewing Shari Benstock, The Private Self: Theory and Practice of Women’s Autobiographical Writings; Bella Brodzki and Celeste Schenck, eds., Life/Lines: Theorizing Women’s Autobiography; Sidonie Smith, A Poetics of Women’s Autobiography: Marginality and the Fictions of Self-Representation - Reconstructing Essentialism
Deborah G. Chay
Reviewing Diana Fuss, Essentially Speaking: Feminism, Nature, and Difference - Interview: Dacia Maraini: Prolegomena for a Feminist Dramaturgy of the Feminine
Dacia Maraini, interviewed by Serena Anderlini - Back Matter